Turn down the music. I’m trying to hear.

Friday, April 29, 2016

 

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One day, when you stand in line to get into a local music club, you might also then stand in line to get your – ear plugs!  At some music clubs on the West Coast, that happens. As a matter of fact, the issue of hearing loss became so much of a concern in cool and hip San Francisco, back in 2002, that the city actually passed an ordinance called the “Earplug Ordinance for San Francisco” – and it required “any place of entertainment and after hours premises with a dance floor and a capacity of 500 persons” had to do “provide or sell, at a reasonable cost, earplugs, to patrons.” Unlike other trends that start on the West Coast, this one doesn’t seem to have caught traction on the East Coast.  Perhaps it should have.

The danger of amplified rock, Hip Hop or heavy metal causing permanent hearing damage at clubs or in music venues is very real. It’s also a danger to listen through headphones at high volumes.  In general, danger exists when periods of listening are between 3.75 minutes and 30 minutes of exposure/day, and sounds are louder than 85 decibels. That’s when permanent hearing loss can take place.  (Usually, sounds of less than 75 decibels, even after long exposure are unlikely to cause hearing loss). The louder the sound are over 85 decibels, the shorter the amount of time it takes Noise-Induced Hearing Loss, or NIHL to happen, according to the National Institute on Deafness & Other Communication Disorders (NIDCD).

 

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We don’t “heal” our hearing.

The mechanics of noise-induced hearing loss is that exposure to ‘too loud’ sounds that lasts a long time, damages the sensitive inner ear structure, sensory cells commonly called hair cells. These are the cells that convert sound energy into electrical signals that travel to the brain.  This type of hearing loss is cumulative, invisible, and – permanent.  So, for all the lifelong music lovers out there, if you’ve been blasting music into your ears since you were young, you might not even notice the damage that’s probably already happened.  And it doesn’t heal; but there are solutions such as hearing aids, to help you hear better after this damage has been done.

 

Rock vs. Classical vs. Church Choir?

While we all have different styles of music we like, hearing loss treats sound as sound, and the difference between loud rock music, and a rousing classical concert, is no different when it comes to hearing loss.  Violins can produce peak volume at 103 decibels – noisier than many power tools – and a piccolo can be just as loud as a drum.  According to the Journal of Singing (2015), “The instrumentalists who had the highest incidence of hearing loss were percussionists (100%), brass (28%), wind (20%), and string (7.3%) players. Instrumentalists who had been playing for more than 20 years had a 42% incidence of hearing loss in contrast to a 0% incidence in musicians who had performing for less than 10 years.”

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Occupational hazards.

Protecting the hearing of instrumentalists or those around the loudest instruments have involved the use of Plexiglas barriers, or even seats that are rotated or elevated within orchestras. Many musicians wear earplugs that are specially designed for people who play music. Musicians’ earplugs let a person hear all of the music, but at a lower sound level. Knowing that sound travels in a straight line, so the sound is louder when someone stands directly in front of or behind a speaker, professional musicians know to stand to the side of a speaker, or to angle the speakers away from them. Musicians also take breaks between sets of music or while practicing to give their ears a rest.

There have been more studies examining hearing loss in instrumentalists than in singers, and some 50% of all instrumentalists were found to have hearing loss of some kind. Research into the hearing loss of vocalists was less definitive, and the issue of how singing might lead to increased endolymph pressure, and thus an increased hearing loss especially in the low-frequency region. Whether singing raises cerebrospinal fluid pressure is an area that is attracting new research.

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In-Ear Monitors (IEMs)

The In-Ear Monitors you see singers and musicians wearing during performances are often custom fitted for an individual's ears to provide comfort and a high level of noise reduction from ambient surroundings. They also provide musicians with needed information related to the sound engineer who will be tuning the monitors. They can do that while having excellent sound quality and being protected from harmful, loud sounds. Some singers use IEMs all the time, though they are a fairly recent tool. Look close and you’ll see rhinestone encrusted ones and color matched IEMs to a singer’s outfit.

For those who make their career by singing, protecting hearing is especially important.  Singers should avoid listening to loud music through headphones, or exposing themselves to loud sounds such as power tools, motorcycles, etc. It’s essential for a singer who wants to have a full career, to protect hearing as well as one’s voice.

A Noisy Planet

On the young age spectrum, “A Noisy Planet, Protect Their Hearing,” is a program of the National Institutes of Health (NIH) to help children learn how noise impacts hearing and how that can start at a young age.  Classrooms and music programs are now giving students ear plugs to preserve their hearing, while also educating them on how to safely listen to music on personal devices such as iPods. The point that hearing loss can start young, can be cumulative, and can be permanent, are important points to get across.  Basically, the world is getting noisier every day.  We need to be prepared for that.  And we need to start early.

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Hearing/Auditory Hallucinations

Taken to the extreme, a rare condition called Musical Ear Syndrome – or MES can happen in people who have suffered late and significant hearing loss.  They actually develop musical – or auditory hallucinations.  This rare condition can contribute to serious mental illness, delusions, and could precede a diagnosis of dementia. 

Local RI musician, Richard Reed’s story was featured in Hearing Loss Magazine.  Reed played piano and organ in such groups as the Mark Cutler Bank and Roomful of Blues, and has been inducted into the RI.

This story is part of an ongoing series between GoLocal and Beltone - a sponsored content series.

 

Related Slideshow: 2016 RI Music Hall of Fame Inductees

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Greg Abate

Greg Abate started his musical education studying the clarinet and alto sax in Woonsocket Public Schools before enrolling at the Berklee College of Music.

Upon graduating, he played lead alto with Ray Charles for 2 years in the mid 1970s before returning to Rhode Island to start his own career.

In 1981, he formed the fusion band Channel One and released his first album "Without Boundaries."

Abate's 2002 album "Evolution" and his 2014 album "Motif" both placed high on the jazz charts.

Abate is currently an adjunct professor of Jazz Studies at Rhode Island College and conducts master classes and workshops throughout the United States and Rhode Island.

Abate's latest album "Kindred Spirits" was recorded live at Chan's in Woonsocket.

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Frankie Carle (1903-2001)

Carle is considered one of the most successful artists i n Rhode Island music history. He wrote "Sunrise Serenade," as a composer for Glenn Miller in 1939 and as a musician he was the featured pianist for Horace Heidt in the 1940s.

From 1944 until the end of the decade, Carle totaled 23 chart records, including two #1 hits in 1946.

He was honored with a star on the Hollywood Walk of Fame for recording 1960 and was inducted into the Big Band & Jazz Hall o Fame inn 1989.

Frankie Carle is pictured center left.

PHOTO: Wikipedia

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Bill Harley

Harley began performing in 1975, launching his career as a children's performer from Providence in 1980. In 1984, Bill and his wife created Round River Records to release Bill's first album "Monsters in The Bathroom."

Over the next three decades, Harley released three dozen best selling albums and won two Grammy Awards, the first in 2007 and the second in 2009.

In 2010, Harley was the recipient of the Rhode Island Humanities Council Lifetime Achievement Award and in 2015 received an Honorary Degree from Hamilton College.

PHOTO: Stonington Farmers Market

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Carl Henry (1920-1986)

Carl Henry was the disc jockey who helped introduce Rhode Island to Rock 'n' Roll in the 1950s.

From 1952 until the end of the decade, Harley's radio shows on WRIB and WPAW exposed the sounds of Rhythm & Blues to everyone who listened .

Carl owned a record shop in Providence, "Carl's Diggins" from 1952 to 1985 while also serving a s concert promoter, bringing The Rolling Stones to Loew's State Theatre in 1964.

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Carol Sloane

Sloane is a jazz vocalist who grew up in Smithfield and began her career by singing with Rhode island society band leader Ed Drew in 1951.

In the late 50s, she received national attention when she joined the orchestra of Larry Elgart,  who she recorded with for RCA Victor.

After a performance at the Newport Jazz Festival, Columbia records signed her and she recorded an album a few months later, "Out of The Blue." The album launched her solo career, which has continued for almost six decades.

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Sugar Ray & The Bluetones

Raymond "Sugar Ray" Norcia is a well known, award winning blues vocalist, harmonica player and band leader.

He started his careers in Connecticut and Westerly Ri in the 70's and moved to Rhode Island in 1979 and formed The Bluetones.

The ban had success in the 80s, culminating in two national released for Rounder Records in 1989 and 1991.

After a break in which Ray joined Roomful of Blues, with whom he record  the Grammy nominated "Turn it on, Turn it up" in 1996, Ray came back to the Bluetones in 1998 to recored a series of albums.

The band celebrated their 25th anniversary in 2014.

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Richard Walton (1928-2012)

Walton grew up in Providence and graduated from Brown in 1951, wrote for the Providence Journal and broadcast as a jazz disc jockey on WICE interview music starts like Louis Armstrong.

From 1955 to 1967, Walton worked in New York City as a reporter and a broadcaster, before moving back to Rhode Island in 1981 and becoming involved in Stone Soup Coffeehouse.

Walton became the first president of the Stone soup Folk Arts Foundation, which he held for 15 years, hosting and MCing every show.

Walton wrote a total of 12 books in his career while also teaching a college class.

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The Fabulous Motels/ The Young Adults/ Rudy Cheeks

The Fabulous Motels and The Young Adults helped define the rock music scene in Rhode Island in the 1970s and both of those bands featured sing/songwriter Bruce "Rudy Cheeks" McCrae.

The Motels formed in 1970 performed their unique blend of music and comedy at colleges and underground clubs throughout the Northeast and New York. However, the group disbanded in 1973 when no record deal came.

McCrae then formed The Young Adults in 1975, however they broke up in 1979 after enjoying success with their indie single "Complex World."

Rudy Cheeks has since worked as a newspaper columnist, talk show personality and host of a musical comedy television show.

 
 

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